Friday, 20 September 2013

Sydney Observatory 1858 -1926

Sydney Observatory, The Rock, Tyrrell photographic collection, Powerhouse Museum, c1900 
In 1847 the Colonial Government closed the old Parramatta Observatory and put its instruments into storage. The colony seemed to have sufficient scientific supporters for a new observatory in Sydney but initially the idea floundered. One of the reasons was the skepticism of Colonial authorities and George Biddell Airy, President of the Royal Astronomical Society in England, who were less than enthusiastic. This was all the more surprising given the demonstrable need for accurate timekeeping, tidal monitoring and weather prediction in a city so reliant on the sea.

Saturday, 4 May 2013

Water From Air Mapping Technology Culture Policy Betty Page




Is this the first billboard to produce potable water from air? This really cool billboard (pictured above) is real, it’s located in Lima, Peru, and it produces around 100 liters of water a day (about 26 gallons) from nothing more than humidity, a basic filtration system and a little gravitational ingenuity. read more of Mark Peckhams post ...
This page on the HASTAC Mapping technology forum has a good set of references and links to current efforts to develop new ways of visualizing physical and textual spaces. Tools such as NeatlineThe DM ProjectGoogle Earth, and Walking Through Time and Projects like Map of Early Modern LondonMappaMundi, and The Pegasus Data Project among others.

Interview between Nayland and  Rachel Harrison for Bomb Magazine back in 2008    

Article on diffuse and direct light on the Electrical Engineering Portal is a great introduction to display lighting. 

School work inversion - students watch Khan Academy videos at home and work on them with the teacher in the class - one of the nice ideas which came to the up in the book Race Against The Machine: How the Digital Revolution is Accelerating Innovation, Driving Productivity, and Irreversibly Transforming Employment and the Economy



I had no idea that the band 'Them' had ever recorded anything like this 9 minute slice of psychedelia .
Creative Australia, the Australian Government’s 2013 national cultural policy, is finally launched and you can download a pdf version from their site.
New South Wales State Government has appointed an industry-led taskforce to drive growth in the creative industries sector and bring together fine arts and music, film, animation, new media and design. Draft Industry Action Plan [PDF] was released on 11 March 2013.
Film/Doco - The Revolutionary Optimists draws us into the world of two 11 year old's with no access to clean drinking water, a girl forced to labour inside a brick kiln, and a teenage dancer on the precipice of choosing child marriage to escape from her abusive family. From these fragile lives, lawyer turned change-agent Amalan Ganguly mines the strength and vision to build a most unlikely revolution. 
Developing a model for Technology-Based Museum School Partnership. In the words of Julie Wilson ... For over a decade the National Baseball Hall of Fame and Museum has used distance learning technology to allow students in grades K-12 to visit the museum without ever leaving their classroom. These sessions allow students to connect live to a museum educator, and experience the museum’s collections and exhibits through photos, videos and audio clips, while learning about topics such as civil rights history, geometry, and economics. Like many museums, the Hall of Fame has used distance learning as a way to reach audiences that were previously beyond our grasp.

PDNB Gallery in Dallas had an exhibition by legendary pin-up photographer, Bunny Yeager, who photographed Betty Page among others. Amazingly this was her first solo show in a major photography gallery in the United States. The image above is from an old mag I picked up in an auction some years ago.
Great British Innovation - this was a really nicely executed project to allow people to vote for Britain's greatest innovations. It is also a great source of info for anyone interested as well. 
Graphene and Molybdenite Join Forces for a New Flash Memory see more
Shift Happens Conferences in partnership with Arts Council England since 2008.
  • to provide inspiring content that we can share with the whole Arts Sector
  • to provoke and examine new thinking
  • to generate new ideas for collaboration and connection
Stanford University Libraries is partnering with federal agencies to preserve 15,000 software titles in the Stephen M. Cabrinety Collection in the History of Microcomputing held by the Libraries.
Australian Policy online released a report reviewing the pivotal role of assessment in learning and argues for its reconceptualisation by practitioners and policy makers to better support learning. see report DODGE & BURN the official Tumblr blog curated by the Department of Photographs at George Eastman House  Superb news - search across 80,000 digitised British newsreel documents at News on Screen  Spectacular Images from the OMG Microscope that uses a combination of objects and 3D structured illumination microscopy to see object as small as 100 nanometres across - all in 3D.

Detroit Leaders Launch Opportunity Detroit's Placemaking and Retail Vision for City's Urban Core.



Top ten hacking failures in the movies reveal how little they actually know about the field.

Just finished the first week in my new job at Parramatta City Council's Heritage Centre (this is the view from the bridge outside) & this has been my first chance to post links of stuff from my Twitter feed, but so much good stuff this has only taken me to the end of March so I'll try and get another done next week.

Thursday, 7 February 2013

Weekly Update 30 years of CDs Magritte



Kicking off with Rumble a great space-rock tune from the Oresund Space Collective 


Loved the sound of this John Cage project posted by Northern Spy records - In 1977, New York composer John Cage received a commission from Rolling Stone to create a work of art inspired by his hometown. Cage presented the publication with a graphic score titled 49 Waltzes for the Five Boroughs: a Hagstrom map of the city covered in 49 painted triangles, or “waltzes,” each linking three discrete locations in the city, and presumably a nod to the musical form’s 3/3 time signature. Later, he republished the score as a complete list of all 147 street addresses, specifying only that 49 Waltzes was a piece for “performer(s) or listener(s) or record maker(s).

Today marks the 100th anniversary of the storied composer’s birth, and to celebrate, Brooklyn performing arts non-profit Avant Media has unveiled www.49waltzes.com, an interactive, user-driven recreation of Cage’s ode to the city. The website invites visitors to upload photos, SoundCloud streams, videos, and written commentary to all 147 locations, group-composing each waltz in real time as a succession of memories and impressions .. full article from Northern Spy Records


Compact Discs & How They Affected Our Lives - the 30th anniversary of the first compact disc sale was on October 1st 2012. The CD in question, sold in Japan in 1982, was Billy Joel’s “52nd Street.” bitrebels posted this brief over view of the data storage technology that changed the music and the computing industry.

The Unknown Sheet Music Covers of RenĂ© Magritte by Hrag Vartanian  at Hyperallegeric is an interesting insight into his Art Deco commercial work. Like many other artists, Magritte worked in the graphic arts and during much of the 1920s he worked in a wallpaper factory and also designed posters, advertisements and sheet music covers. See also Swann Galleries in Manhattan for vintage poster auctions.

Brendan Eich reviews the history of JavaScript, then introduces and demonstrates some of the new features coming in ES6. This is from Strange Loop a multi-disciplinary conference that aims to bring together the developers and thinkers building tomorrow's technology in fields such as emerging languages, alternative databases, concurrency, distributed systems, mobile development, and the web.


Google now show useful flight infographic as a search result when you look for your plane flight. From Robert Kosara.

10 Things You Need to Know About Today’s Job Search by JOSHUA WALDMAN - Google Has Replaced the Resume, A Summary is Enough, Social Proof is a Must, Resumes and Cover letters Are Not Read on Paper Anymore, Relationships First, Resume’s Second, Employers Only Care About What They Want, Don’t Mind the Gap, Nouns Are the New Currency. Everyone Has a Personal Brand – Yes, Everyone, Typing isn’t a Skill Anymore.

With the 100 year anniversary of WW1 looming I thought I'd post myself a reminder to look up the Imperial War Museum's series of posts on social aspects of the Great War. Topics include, Football during the First World War, Defence of the Realm Act, David Lloyd George, Daily Routine, Breakthrough, Anna Airy (one of the first women war artists), Armistice, Alliances 1900-1914, Air Raids in the First World War, Air Aces and more ...

NASA’s Jet Propulsion Laboratory (JPL) new citizen science project, JPL Infographics, - Nick Fordes at SciStarter explains how NASA is asking  for the community to become scientist-artists to communicate their latest science. NASA provides a huge library of amazing high-resolution space images, 3-D models, and lists of interesting facts for you to piece together into your own Infographic.






  

Monday, 28 January 2013

Digital Preservation - the Golden Rules

Untitled, painting by Geoff Barker, 1993
“If we try we may fail, if we don’t try we will certainly fail"
British Library, Preservation Advisory Service, 2010

The 'golden rules' of digital preservation? 

Firstly digital preservation is going to be different from organisation to organisation but that doesn't mean everyone is marching to the beat of their own drum. Thankfully there are some basic principles which should inform all projects:

Always create a project plan before starting your project. Not only will this clarify and cost what you are going to do it will leave a record of how the processes used for your digital preservation and this could be invaluable for those that may need to migrate your data at a later date.

Remember digitisation refers to a wider range of objects than just creating an image file of Museum objects and placing them in a folder. While most of the focus up till now has been on photographic prints and negatives digitisation increasingly covers a wide range of museum content including photographs born in digital cameras, documentation and stories related to objects, videos and audio files relating to collections and content created by people in the broader community using 3rd party sites like blogs and flickr.

Collaborate whenever possible - so check to see if someone else has already done work on the same objects and whether you can share or incorporate their data into your records.

Are you ready to do this? The biggest risk to physical collections is human beings. If the collection has been sitting in a cardboard box in the corner of the museum for the last twenty years and is still in pretty good condition perhaps a few more weeks, months, even years may not make too much difference. It's better to be able to do it all, and to do it properly, than to make a half-hearted attempt on a portion of the collection.

Always hold at least two copies of a record. Technical obsolescence of standard formats is not likely to be an immediate threat so it may be possible to retain a copy in the original digital format in which it was created.

Only ever work on a copy of a record to ensure long-term preservation of the original.

If you want to follow up there is plenty more information on Digital Preservation Basics a site I created for a workshop I did last year. This includes checklists, selecting file formats, finding digital objects, selecting sizes and resource links.

Saturday, 19 January 2013

Early Music Recording & Edison Wax Cylinders


Edison phonograph cylinder, "Sweat Heart March", about 1900, Powerhouse Museum 8914-3

The first cylinder sound recording machine was developed by Thomas Edison in 1877. This invention etched the sound wave patterns from a mouthpiece onto tinfoil wrapped around a 4 inch cylinder. However this medium, while able to successfully record low quality sound, was extremely fragile and it failed to find a substantial commercial market.

It was not until 1885 that a talking machine called the 'graphophone' was able to successfully play and record onto cylinders which were robust enough to be commercially viable. This machine utilised a wax coated cylinder rather than tin foil and accounts for the reason recorded cylinders from this point on were commonly referred to as 'wax cylinders', although many are not made from wax at all.

These tubular cylinders were slotted over a rotating drum before a needle was lowered onto its surface to play back the recorded sound. Surrounded as we are by television, radio, mobile phones and pod casts it is hard for us to conceive how novel it was to listen to a recorded voice. The new medium conveyed for the first time not only the sense of the words of the sender but also the expression which has much to do with the interpretation of the true meaning contained in the words of the sermon as much as a song.

While it was initially envisaged public demand would be for use as an office dictation machine, it quickly became apparent people wanted to listen to music and vaudeville performances on these new machines. Unfortunately for Edison and the graphophone companies, the machines they sold were capable of recording as well as playing back music. This led to a situation where entrepreneurs were re-recording cylinders and on-selling these or making their own recordings of local artists to sell. Machines were soon hired by operators charging people to sit and listen through hearing tubes and as demand grew, coin operated machines were developed until it eventually became clear home models would be needed to cater for demand.

Another problem affecting the quality of the recordings was the fact that by this stage most cylinders were not actually made from wax but from a non-soluble metallic soap that varied in composition from time to time. This posed problems for 'graphophone' and phonograph companies as there was no reliable means of duplicating the music captured on cylinders. As a result 400 recordings required the artist perform the same song 20 times in front of a battery of twenty recording machines all set in motion at the same time.

The obvious solution to this problem was to make copies of master cylinders but, in 1898, before this problem was solved, a high quality 12.7 cm (5-inch) cylinder was introduced by the American Graphophone Company. Known as concert cylinders these could deliver not only a higher quality of sound but also produced a louder recording enabling them to be used in music halls to seated audiences. Bigger and more expensive than the normal cylinder they failed to find a popular market and by 1902 they were only being made-to-order by both companies

To overcome these problems both companies started working towards finding a harder material to make their cylinders from. In addition they needed to find a method for reproducing copies of master recordings by moulding, rather re-recording from individual cylinders. The hope was that moulded cylinders would not only last longer and sound better, but would provide a guarantee of recording quality. Edison had been following the possibility of making the wax electrically conductive and then using this to plate a mould. He worked on electro-statically depositing gold and then plating with base metals but it was not until 1901 that he successfully patented the 'gold-molding' process which could be used to copy commercial quantities of cylinders. Columbia in turn began producing moulded cylinders called 'High Speed XX' cylinders and both adopted 160 rpm (revolution per minute) in place of the earlier 120 rpm.

By 1902 business was booming and the Columbia Graphophone Company claimed to produce two million cylinders per month, but did so without owning a patent on moulding cylinders. They did however benefit from being able to utilize the final major innovation in cylinder design before the Edison Company, the use of a celluloid instead of a wax composition. The beginnings this innovation are attributed to the work of Thomas Lambert of Chicago who in 1900 began producing pink celluloid cylinders made from a copper moulded master. By July 1906 the Indestructible Record Company and the Graphophone Company were producing large numbers of celluloid cylinders but patent restrictions prevented Edison from making his cylinders from celluloid.

Further problems surfaced for Edison's National Phonograph Company in 1905 when Higham's modifications to the playing device extended the playing time of the cylinders from 2 to 4 minutes. The problem for Edison was this device caused increased wear on his softer wax cylinders and in 1908, he was forced to compete with the 4 minute recordings by promoting the 'Amberol' cylinders which increased the number of grooves per inch from one hundred to two. Unfortunately, playing them required fitting special feed mechanisms to existing phonographs and, given the extra cost, this was unpopular. In 1909 the U. S. Phonograph Company began molding 4 minute 'Everlasting' cylinders in celluloid and in 1910 the Indestructible Record Company began producing celluloid recordings sold by the Columbia Phonograph Company.

Edison finally solved the problem by buying the rights to celluloid production owned by Philpot of England. In 1912, using the same 'gold-molding' process for the wax cylinders, Edison began producing 'Blue Amberol' recordings made from hardened blue celluloid with plaster centers and which revolved at 160 rpm. The first of these were two minutes long but by October 1912 they began production of 4 minutes cylinders which were followed by a celebrity series in purple celluloid.

1905 was the high point of cylinder recording which by the WW1 went into a sustained phase of decline. Edison continued to sell his phonograph recording right up until his retirement in 1929 but the real cause of the demise of the moulded cylinders was the success of the rival gramophone-disc records which dominated music recording right up until the 1980s.

References
'The Phonograph', Scientific American, July 25 1896, 66
V. K. Chew, Science Museum Talking Machines, Her Majesty's Stationary Office, London, 1981
Oliver Read and Walter Welch, From Tin Foil to Stereo, Howard Sams & Co., New York, 1959

Wednesday, 9 January 2013

War Photographs from Samoa 1899



Tradition in Samoa dictated that leadership of the islands was to be invested in a hereditary chief, but in the 1880s these claims to power were anything but certain. Robert Louis Stevenson, who lived in Samoa during this period of turmoil, commented that Europeans, used to a history of kings and queens, tended to leap to the conclusion that the office of high chief is absolute. In fact the office in Samoa was elective and held in many ways on condition of the holder's behaviour and attendance to his many obligations. This confusion was to have ongoing ramifications in the late nineteenth century as European powers asserted their claims to land and political power across the three major islands of Samoa.

In 1881, Laupepa was annointed king on the basis of his holding of three of the five names (Malietoa, Natoaitele, and Tamasoalii) which covered the principality of Samoa. However the two other chiefs who had claims to these highly significant titles, Tamasese who held the name Tuiaana and Mata'afa who held Tuiatua, were not completely satisfied with the arrangement. In an effort to maintain the peace each was given the role of 'vice-king' to be held for two year periods.

This situation provided the seeds of discord amongst the Samoans, but a greater threat to the peace of the island was the German, British and American settlers pursuing their commercial interests (particularly the German interests of the firm of Deutsche Handels und Plantagen Gesellschaft fur Sud-See Inseln zu Hamburg ( DH&PG.)) alongside these traditional relationships.

The centre of all this activity was on the island of Upolu at the port of Apia where Samoans, Germans, Americans and Englishmen all resided. Perhaps the best description of the state of these interests is to be found at the beginning of Stevenson's book, A Footnote to History,

Here, then, is a singular state of affairs: all the money, luxury, and business of the kingdom centred in one place; that place excepted from the native government and administered by whites for whites; and the whites themselves holding it not in common but in hostile camps, so that it lies between them like a bone between two dogs, each growling, each clutching his own end.

European intrigue exacerbated existing tensions which erupted in 1885 and led to civil war amongst the Samoans and fighting between the Germans on one side and the Americans and the British on the other. The German Counsel Dr. Stuebel entered into an agreement with Malietoa and then advocated the deposing of the existing Samoan government. However Malietoa and Tamasese secretly approached the English offering them the islands as a Protectorate. When the Germans found out they sought to replace Malietoa and, overlooking the obvious choice of Mata'afa, selected Malietoa's accomplice Tamasese as their man.

Tamasese, supplied with weapons by Germans and Americans, raised his flag on January the 28th 1886, Malietoa was forced from Mulinuu, the seat of his royalty and raised his flag in Apia. Here he was confronted by the German Consel Dr. Stuebel who, with the aid of ten men from the German cruiser Albatross forcibly took down his flag. Europe and America sent a delegation to sort out the mess and a lull in hostilities ensued which lasted for nearly a year. But by August 1887 tensions had increased again and no less than five German warships were stationed in the harbour at Apia. On the 25 August 700 Germans came ashore and hoisted the German flag above the Government House in Apia.

In September 1888 a large group of Samoans revolted against Tamasese and the German Government. By December 1888 skirmishes were erupting across the islands and tensions between the European warships in Apia harbour were at their height. On the 21st the German ship the Olga shelled and burned the village of Vailele. By March 1889 the harbour was crowded with three American ships in Apia bay, the Nipsic; the Vandalia and the Trenton, three German ships, the Adler; the Eber and the Olga; and one British, the Calliope. In addition there were six merchant-men, ranging from twenty-five to five-hundred tons, and a number of small craft which further encumbered the anchorage. On the 15 March a hurricane struck and the Eber went down on the reef with nearly 80 drowned, the Nipsce was beached on the sand escaping with a few lives lost, the Adler was lifted onto the reef which broke her back and twenty lives were lost, the Vandalia also went down in the storm after colliding with the Olga losing 43 lives, while the Trenton only lost one life.
The Germans in the wake of this disaster agreed again to talks with the British and the Americans. This allowed tensions to quieten down and a treaty document was signed in which Malietoa was recognised as king by the European forces.

However this was against the wishes of many Samoans who saw another chief, Mata'afa, as the real hero of the conflict. The agreement also established an accord for the tripartite supervision of the islands but, unfortunately for all involved, it appears to have been constructed in haste and the resulting document led to squabbles and by 1892 the island '… still lacked any form of peace, order and effective administration'.

Tamasese had died in 1891 and in 1893 another civil war broke out between Mata'afa and Malietoa, the upshot of which was the capture and deportation of Mata'afa. In 1894 fresh conflict broke out between Tamasese's son and Malietoa which was put down by German forces.

But in August 1898 Samoa's King Malietoa Laupepa died and his long-time rival Mata'afa returned from exile supported by the German forces. This act was strongly opposed by the British and Americans who backed Laupepa's son, Tanu, and in January 1899 a war, similar to the one ten yeas previously, erupted in Apia. In an astounding turn of events the American heavy cruiser U.S.S. Philadelphia shelled Apia on 14 March almost ten years to the day of the anniversary of the hurricane which ended the first conflict.

This shelling was done in an attempt to dissolve a provisional government set up by Mata'afa and Germany and re-establish the tripartite solution. Instead it inflamed the hostilities and Mata'afa's forces attacked houses in Apia, particularly the Tivoli Hotel where three American sailors were killed. Tanu's forces were outnumbered by Mata'afa's on Upolu and so British and American ships picked up hundred of supporters from the Samoan Islands of Savai'i and Tutuila and brought them back to Apia where they were armed and trained. On 30 March a British and American force under Commander Sturdee, along with about one hundred Samoans under Lieutenant Gaunt, made their way along the coast driving small numbers of Mata'afa's men before them. 



On the first of April, and no doubt feeling full of confidence at the ease with which they were forcing Mata'afa's forces off the coast, they pursued him inland. This tactic was foolhardy in the extreme as they were no longer covered by the fire of the warships and were attacked by thousands of Mata'afa's men. While only seven were killed, the historian Paul Kennedy considered these were, 'remarkably light considering the circumstances'. The upshot of all this activity was the establishment of Samoan, American and British forces along the coast while Mata'afa's Samoan forces and the Germans were firmly entrenched in the interior.

The inevitable deadlock was broken by a ceasefire announced on 25 April and in May 1899 a specially set up commission of British, American, and German representatives arrived. Soon after a treaty was agreed to by all parties. This document recognised the independence of the Samoan Government and divided European interests so that Germany received the western Samoan islands with Savaii and Upolu, the United States received the eastern islands with its capital at Pago Pago on Tutuila and Britain withdrew from the area for recognition of rights on Tonga and the Solomon Islands.

These images are two of the 26 images relating to the 1899 conflict held by the Powerhouse Museum, Sydney.

Geoff Barker

References
Paul M. Kennedy, The Samoan Tangle; a Study in Anglo-German-American Relations, University of Queensland Press, Queensland, 1974
Robert Louis Stevenson, A Footnote to History; Eight years of Trouble in Samoa, 1892, transcribed from the 1912 Swanston edition by David Price, 2005, Project Gutenberg eBook, http://www.gutenberg.org/files/536/536.txt

Sunday, 7 October 2012

Einstein’s General Theory of Relativity - how it was finally proved on the 1922 solar eclipse expedition



In late August 1922 a group of astronomers, naval men, and Aboriginal stockmen began the arduous task of unloading their complicated scientific equipment and stores from boats onto a deserted beach on the coast of Western Australia. The shallow nature of the approach meant the boats were anchored three or four miles from the high-water line and the stores, after being brought to shore, were then transported by donkey wagons to the observation site at Wollal. This was no ordinary expedition and its members knew the eyes of the world were on them waiting to see if they would be the ones to finally prove Einstein’s controversial ‘Theory of General Relativity‘.

To do this they would have to photograph the light from stars bending around the sun and then measure their placement extremely accurately. At stake was the whole concept of universe as envisaged by Sir Isaac Newton over 250 years before. Everyone involved in the project was well aware of how difficult this task was and that they were only one of eight other astronomical expeditions who were also setting up their equipment at sites across Australia. The largest group of observers, based near the Wollal post and telegraph station consisted of three international parties, the Lick Observatory party, under the direction of W. W. Campbell, a group from the University of Toronto, under C. A. Chant and the Indian expedition supervised by J. Evershed. In addition Australia provided a fourth group from the Perth Observatory. They were directed Mr. Nossiter and included Mr. Nunn, Mr. Matthews, Mr. Dwyer and Mr. Yates. On top of this were four others set up on the east coast under the direction of the Sydney Observatory and W. E.Cooke.

All this preparation was for the solar eclipse predicted on 22 September 1922 and the hope they would be the ones to resolve the scientific problem Einstein had set in train 17 years previously. In 1905 Einstein (then an unknown patent clerk) had published four groundbreaking scientific papers in what is commonly referred to as his ‘miracle year’. While these included his famous equation E=Mc2 which determined how energy became matter and matter in turn became energy, it also included a mind-blowing paper describing how the fabric of space and time are woven together; this paper he titled ‘The Special Theory of Relativity’.

This radical new concept had come to him in Berne while he was riding in a bus and looking back at the local town clock. As he describes it a ‘storm broke in my mind’ as he imagined what would happen if the bus was travelling at the speed of light. If this was the case then the light from the clock couldn't catch up with the bus and thus time would appear to stop. For Einstein this implied that space and time were one and the same and were in fact a flexible fabric he labelled space/time.

There was no instant acclaim for his theories but he did have an important supporter, Max Planck, one of the foremost physicists of the day. As a result of discussions with other scientists Einstein started to write a new article on special relativity in 1907 but realised his original concept was limited as it only dealt with objects moving in one direction and at one speed. Clearly this was not the way things work in the real world and so he rewrote his paper taking into account gravity calling this one the Theory of General Relativity.

The problem Einstein was addressing was this, if an apple falls we traditionally say a mysterious force, which Newton called gravity, is pulling it down. But Einstein knew from his working with physics that objects usually moved if they were pushed and instead he posited the idea that there was no such thing as gravitational pull. Instead he suggested that the earth has curved space around it and it is this that is keeping our feet firmly planted on the ground by pushing on the atmosphere and all the objects on the earth. In the case of the earth going around the sun most people would say it was the gravitational force of the sun pulling the earth around it. Instead Einstein suggested it was the gravitation of the sun distorting the space around the earth and that this was the force pushing the earth around the sun.

But while Einstein could propose this new theory of the universe and of gravity using maths and physics it was another thing to prove it by experiment. Thus his ‘General Theory of Relativity’, unlike his photon, energy and mass equations, remained an interesting but unproven theory in the eyes of the scientific community. He needed to find a way to measure the effects of gravity on the straight beams thrown from a light source. If he could show this he could also prove his theory that space/time was flexible. But where could he possibly find something with enough gravity to bend light.

It was then that he came up with a great idea, what about using light from distant stars and the sun which has around 300,000 times more mass than the earth. Einstein hypothesised that if his theory was correct light from a star would bend as it passed through the sun’s gravitational field. The problem was that the sun was too bright to see this happen – UNLESS THERE WERE A SOLAR ECLIPSE!

When the sun’s rays are blocked out by the moon during a solar eclipse we can see the stars around it. And if his theory was correct these should appear to be slightly out of place from their actual positions as measured in the night sky because the light they emitted was bent as it went past the sun.

Of course to do this Einstein needed someone to photograph the event. So in 1912 he published his thoughts on this experiment and appealed to astrophysicists to take up his challenge. Instead of a chorus of willing voices his challenge was initially met with silence. Except for an assistant astronomer at the Berlin Observatory Erwin Finlay-Freundlich who although still in his early 20s saw Einstein’s call as an opportunity to make his name. A total solar eclipse is only visible over a small area of the earth and the next one was on the 21 of August 1914, and would be best seen from the Crimea in Russia.

After being refused by his boss Freundlich wrote to William Wallace Campbell, a pioneer in solar eclipse photography, at the Lick Observatory in USA. He asked him to come to Russia and prove or disprove Einstein’s theory. As a result Freundlich and Campbell both made their way to Russia in 1914 with Freundlich setting up his instruments in the Crimea while Campbell sets his up near to Kiev. Unfortunately for everyone major political events unfolding in the background and bad weather destroyed their chances for capturing the event.

On June 28 1914 Archduke Franz Ferdinand of Austria is assassinated and Germany declared war on Russia. As a result Russian officers seize Freundlich’s equipment, (in fact he and his assistants are held as POWs for a number of months afterwards). Campbell as an American is allowed to continue his project but unfortunately clouds obscure the eclipse and he not able to good photographs of the event.

Einstein is initially devastated by the failure but it turns out that these particular clouds had a silver lining. In the wake of the eclipse fiasco and while locked down in Germany by the war Einstein begins going over his initial calculations and finds he has made some fundamental errors. He now recognises that if the 1914 eclipse expedition had been a success they would have used these calculations, and they would have been wrong and discredited his theory. So Einstein sets about redoing his calculations and finally on 25 November 1915 he presents his General Theory of Relativity to the Prussian Academy of Sciences. In 1916 he finally submits his paper, with correct calculations, and a completely different view of the universe. But while many accept to work the scientific community remains divided, particularly given the theory had yet to be proven.

Help came in the form of an Englishman, Arthur Stanley Eddington. He was not only an astronomer at Cambridge University, he was also a conscientious objector and saw in Einstein a fellow scientist opposed to the war. In February 1916 he received a package from a friend in Holland which contained a copy of Einstein’s theory translated into English. Eddington was astounded, and decided to see if they could prove, or disprove, Einstein’s theory by making observations at the next solar eclipse, on 8 June, 1918.

The limited viewing window for this eclipse made the United States a prime site for setting up his equipment but unfortunately the war made it difficult for Eddington to travel there. Instead he also decided to contact Campbell at the Lick Observatory and ask if he would be able to try one more time to photograph the eclipse. Campbell agrees but his equipment had been confiscated by the Russians in 1914 and this forced him to improvise from existing equipment lying around at the Lick Observatory. Thus it turned out that although Campbell had the solar eclipse observations all to himself he was forced to take his photographs using sub-standard equipment, and this was to have some serious implications for this story.

On Saturday June the 8 the clouds parted in time to allow Campbell to take some photographic plates which he gave to Heber Curtis to make the measurements from. So after doing his measurements Curtis gives Campbell the news that he believes the stars are actually in the same position and thus Einstein is wrong. However this is a momentous decision and Campbell, realising his reputation could be at stake holds off announcing the results as he is worried his sub-standard equipment may have affected the results. Instead he asks Curtis to re-do his measurements.

On the 11 November 1918 World War One ended. This took away the restrictions on travel which had been holding back astronomers and as a result tEddington was free to travel to observe the next solar eclipse. The event happened on May 29 1919 and this time Eddington carved his way through the jungle of island of Principe (off the west coast of Africa) to set up his equipment. He spent a month there building the telescope but as luck would have it on the day clouds affected the view forcing Eddington to take his photographs in quick succession hoping all the time they caught the moment of full eclipse when the stars would be most visible.

Eddington was so concerned about the results that he started measuring the plates then and there while still in the middle of the jungle. Many proved worthless but a few showed enough stars visible for him to make some preliminary results. And unlike Campbell’s his confirmed Einstein’s theory.

In a strange twist of fate Eddington’s cable confirming Einstein’s theory arrives in London at the same time as Campbell physically arrives to present his results, disproving the theory. As a result Campbell gets nervous again about the quality of the equipment and Curtis’s measurements and decides to again delay the presentation of his negative results to London’s Royal Astronomical Society. Instead it is Eddington who on 6 November 1919 presents his positive results and word of this momentous decision spreads quickly spreads around the world. Very quickly Einstein becomes the face of genius and a world renown scientist – BUT still there many sceptics in the scientific community who questioned Eddington’s results and a backlash began, helped in part by anti-German sentiment in the wake of War.

It quickly becomes clear that another expedition needed to be organised to settle the issue once and for all. The next scheduled solar eclipse was on the 21 September 1922, and would be visible over the continent of Australia. By now Einstein was 42 years old, a household name, and yet his theory of relativity published eight years previously had yet be confirmed to the satisfaction of the scientific community. It seemed that Australia would be the place where the controversy would be settled once and for all and so it is no surprise to find the event generated huge media and scientific interest.



So we come full circle back to the astronomers loading their donkeys on a remote beach in Western Australia with the world’s gaze upon them as they prepared their equipment to photograph the solar eclipse.


This time the weather and the equipment would provide optimal conditions for Campbell and his group at Wollal. In this photograph we can see the polar axis set up to hold the spectrographs, the Floyd telescope and the two short focus camera. The woman on the left is probably the wife of W. W. Campbell as during the eclipse she was responsible for the exposures of the solar corona by means of the Floyd camera.


Also in Campbell’s arsenal was a specially made 1.52 metre (5 foot) solar telescope camera named fittingly the ‘Einstein camera’. campbell himself directed this camera but looking after the changing of the glass plates was left to two Australian naval men, Messers. Rhoades and Kenny, under Commander Quick. It is quite possible that these are the two men seen here.


Finally amongst the Lick Observatory’s 35 tons of stores and equipment was a forty foot coronal camera which required supporting towers 36 feet high. This photograph of the eclipse during total phase was taken by Dr. Adams using this astrograph and it was the measurements from these plates that finally led to H. Spencer Jones of Greenwich Observatory announcing in May 1923, … as a result of the observations secured last September, together with the two previous confirmations from the 1919 eclipse, leave little room for doubting that the deflection deduced from Einstein’s theory is the correct one.

After years of controversy, a World War, and several failed eclipse expeditions, Einstein’s Theory of General relativity was finally proved, and science’s understanding of how the world around us worked was completely overturned.

Post by Geoff Barker, 2012

References
Campbell, W. W., ‘The Total Eclipse of the Sun, September 21, 1922′, Astronomical Society of the Pacific, provided by the NASA Astrophysics Data Sy
stem, May 2008
Evershed, J., ‘Report of the Indian Eclipse Expedition to Wollal, West Australia’, Kodaikanal Observatory, Bulletin, number LXI
Spencer Jones, H., ‘The Total Solar Eclipse of 1922 September 21′, The Observatory, May 1923
Thomas Levenson, Einstein in Berlin
Walter Isaacson, Einstein; his life and his Universe 
Amir D Aczel, God’s Equation 
Michio Kaku, Physics of the Impossible